The Idiot (1951)

★ 7.0 2h 46m 135 votes IMDb
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A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.

The Idiot

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Cast

Setsuko Hara
Setsuko Hara as Taeko Nasu Died 2015 · Yokohama, Kanagawa, Japan From Wikipedia, the free encyclopedia. Setsuko Hara (June 17, 1920 – September 5, 2015) was a Japanese actress who appeared in six of Yasujirō Ozu's films, most notably as Noriko in the "Noriko Trilo...
Masayuki Mori
Masayuki Mori as Kinji Kameda Died 1973 · Sapporo, Hokkaido, Japan ​From Wikipedia, the free encyclopedia. Masayuki Mori  (森 雅之 Mori Masayuki, January 13, 1911 – October 7, 1973) Born in Sapporo, Hokkaido prefecture) was a Japanese actor, the son of Takeo Arishima,...
Toshirō Mifune
Toshirō Mifune as Denkichi Akama Died 1997 · Qingdao, China Toshirō Mifune (April 1, 1920 - December 24, 1997) was a Japanese actor who is widely regarded as one of the greatest actors in the history of Japanese cinema. He was born in Qingdao, China, but was r...
Yoshiko Kuga
Yoshiko Kuga as Ayako Died 2024 · Ushigome, Japon Yoshiko Kuga (久我 美子, Kuga Yoshiko, 21 January 1931 – 9 June 2024) was a Japanese actress. Kuga was born in Tokyo, Japan. In 1946, while still attending Gakushuin Junior High School, she became an act...
Takashi Shimura
Takashi Shimura as Ono, Ayako's father Died 1982 · Ikuno, Hyogo, Japan ​From Wikipedia, the free encyclopedia.   Takashi Shimura (志村 喬, Shimura Takashi, March 12, 1905 – February 11, 1982) was a Japanese actor who appeared in over 200 films between 1934 and 1981. He app...
Chieko Higashiyama
Chieko Higashiyama as Satoko, Ayako's mother Died 1980 · Chiba, Japan Chieko Higashiyama (September 30, 1890 – May 8, 1980) was a Japanese actress. Graduating from the girls' school at Gakushuin, she married a businessman in 1909 and spent eight years in Moscow. In 192...

Audience Reviews

CinemaSerf 7/10 Feb 12, 2023
"Kameda" (Masayuki Mori) is a Japanese soldier suffering from what looks like a degree of PTSD after he only narrowly escaped a firing squad for a crime he did not commit in his country's war with Russia. His mental status is distinctly precarious when he heads home. Along the way he encounters the savvy "Akama" (an on-form Toshirô Mifune) who is also a man on a bit of a mission - to wed his sweetheart "Taeko" (Setsuko Hara) who has been the kept woman of an older man for many a year. She is effectively put up for sale, and her potential buyer is a man - "Kayama" (Minoru Chiaki) - who is associated with a man who might be able to help "Kameda" reintegrate, but who is also in love with the feisty and head-strong "Ayako" (Yoshiko Kuga). The course of true love never runs smoothly and, upon meeting, she and "Kameda" find themselves drawn to each other. Now without giving too much away, the remainder of the film is an intricately constructed adaptation of Dostoyevky's original story of love, deception, integrity and loyalty that requires concentration and pays off if you do. It deals well with the implications of wartime illnesses and of the role of women in a society that still regarded them as (porcelain) chattels - as well as proving us with a more traditional, good old, love-triangle scenario. It is entertainingly structured with intensity and a degree of humour woven into a character study that offers a myriad of personalities and no obvious "right answer". What soon becomes clear though, is that the eponymous moniker attributed to "Kameda" is as ill-applied as could be. The photography amidst the snow-capped mountains of Sapporo is effective as a conduit for some of the emotional barren-ness and the score compliments well the evolving, frequently stalling, story that meanders towards a conclusion that ultimately demonstrates that a strong and characterful cast and a great story can easily carry almost 2¾ of cinema effortless and engagingly. Certainly worth a big screen viewing if you can. Well worth it.

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